Cover Art Reveal: PLUTO IN FURS

Here we have the stunning cover art (created by the brilliant Matthew Revert) for Scott Dwyer’s forthcoming anthology, Pluto In Furs:  Tales of Diseased Desires and Seductive Horrors.  My story, “Behemoth,” is contained therein.

Pluto In Furs, cover

Cover Art by Matthew Revert

I’ve once before shared the table of contents, but will do so again to emphasize the chilling talent Dwyer’s assembled for his latest endeavor:

Introduction:  “An Abysmal Masochism” by Scott Dwyer
“The Tangible Universe” by Jeffrey Thomas
“The Wolf At The Door Or The Music Of Antonio Soler” by Devora Gray
“Other Yseut And Romance Tristan” by Adam Golaski
“Dermatology, Eschatology” by Kurt Fawver
“Headsman’s Trust: A Murder Ballad” by Richard Gavin
“It’s Hard To Be Me” by John Claude Smith
“The Gutter At The Bottom Of The World” by David Peak
“Tender Is The Tether” by Rhys Hughes
“With Shining Gifts That Took All Eyes” by Mike Allen
“Stygian Chambers” by Orrin Grey
“Behemoth” by Clint Smith
“Worm Moon” by Gemma Files
“The Silvering” by Thana Niveau
“Walking In Ash” by Brendan Vidito

Dwyer has his sights set on an August, 2019 release — keep your eyes peeled for news and announcements here (and drop a “like” while you’re at it).

RUE MORGUE Gives a Grim Wink at the Duality of TWICE-TOLD

Dejan Ognjanović, in Rue Morgue, Issue #188, provides a tidy synopsis of several stories in C.M. Muller’s doppelgänger-based anthology, Twice-Told: A Collection of Doubles (Chthonic Matter, 2019).  My contribution, “Details That Would Otherwise Be Lost to Shadow,” receives a generous mention, along with several astute scribblers including Gordon B. White, Tim Jeffreys, Shannon Lawrence, Jason Wyckoff, and Jack Lothian.

RueMorgue 188

This story (running a touch over 8,000 words) was a challenge to compose, in great part due to its structure, but more so in my attempt to bring some nuance to the tropes of duality.  The key was employing the presence of what I’ve termed as the Motley House, a sort aesthetic tessellation, the construction of which, perhaps, warps the perspective of my central character, Tara Keltz.  On the other hand, the house’s personality may be the only thing providing clarity, even if it elicits a realization which is not only difficult to perceive, but also to accept.

 

 

TWICE-TOLD: A Collection of Doubles

 

tt, toc

With the recent release of C.M. Muller‘s Twice-Told:  A Collection of Doubles the estimable Des Lewis is conducting another venerable “real time” review dedicated to the anthology.  Here’s a portion of what he has to say about my contribution, “Details That Would Otherwise Be Lost to Shadow”:

[B]oundaries here in a residential area explicitly akin to sovereignty of identity and today’s nationalism. Whatever I go on to say, this remains a totally compelling first-person narration by a woman, self-seeking as well as self-conscious, ruthless in her ambition and optimisation of her nuclear family, husband and daughter. […] Finds herself in the house opposite where she had not yet met whomsoever lived there – a house described by her in a wondrously hypnotic mannered way, a sort of House of Leaves blended with something completely unique, with fleeting shadows and angles […] She foolhardily leaves her signature as it were, some written boundary of statically unique self-identity, on ‘stationary’ as stationery inside this house, a house aptly named Motley House […] another Clint Smith work to cherish. If I tell you more, I would spoil it.

Snag a copy (Kindle, paperback) here:

twice-told-3d-cover

WEIRD FICTION REVIEW #9 Now Available

wfr9

Weird Fiction Review #9 (Centipede Press, 2018), Cover Art by Colin Nitta

With last year’s passing of the illustrating titan Stan Lee, it’s suitable to celebrate his voice and verve (along with the great Jack Kirby) with the cover art of Centipede Press‘s latest installment of Weird Fiction Review, which offers a wry wink to the inaugural, 1961 issue of the Fantastic Four (released fifty-seven years ago this past November).  The odd quad featured on the cover are, of course, notables from the Weird field, with Caitlin Kiernan standing in for Sue Storm, Victor Lavalle repping the Human Torch, Stephen Graham Jones taking on Mister Fantastic, and Laird Barron depicted as (suitably, noting his affinity for the Carpenter film) The Thing.  The list price is $35, but Centipede Press’s site currently has it for $22.

Weird-Fan side by side

Weird Fiction Review #9 (Centipede Press, 2018) / The Fantastic Four, Vol. 1, Issue #1 (1961)

“The Weird Fiction Review,” goes the site’s synopsis, “is an annual periodical devoted to the study of weird and supernatural fiction. It is edited by S.T. Joshi. This ninth issue contains fiction, poetry, and reviews from leading writers and promising newcomers. This issue features fiction by Caitl’n R. Kiernan, Laird Barron, Victor LaValle, Stephen Graham Jones, Scott Bradfield and others, and articles by Stefan Dziemianowicz (an illustrated history of Gnome Press), Adam Groves (on surrealist horror novels), John C. Tibbetts (on Marjorie Bowen), as well as verse and other essays and fiction. The feature of the issue is Chad Hensley’s outstanding article on H.R. Giger-inspired Alien toys.”

Giger

Brown University, Dec., 2018

Adam Golaski and Clint Smith, Brown University, December, 2018

In addition to a lengthy interview with author David Mitchell, Weird Fiction Review #9 also contains an exchange between Adam Golaski and me — an interview, of sorts, conducted by the Brown University English lecturer back in the fall of 2017.  The several weeks of correspondence was really an ideal way to get to know this writer who, perhaps, thrives in his obscurity.  We were able to spend a brief amount of time attempting to catch up back in December, 2018, on the Brown campus (shortly before our reading at the Arcade Asylum Author Series, Krampusnacht edition, at Lovecraft Arts & Sciences Council).

My story, “The Pecking Order” (a tale which begins with a young woman attending a former student’s funeral, but transforms into something appalling) can also be found in Weird Fiction Review #9.

 

WFR9

 

PLUTO IN FURS Anthology: “Behemoth” Claws Its Way Onto the TOC

I was recently notified that my “rough beast” of a short story, “Behemoth,” has been accepted to Scott Dwyer’s upcoming anthology, Pluto In Furs.  The spectrum of the tale pendulums between 1969 and 1987, as my protag, Dox Ingram, a mechanic, is inadvertently compelled to confront a protean horror inextricably braided to a disturbing encounter during his younger years as a soldier in Vietnam.

some bears, rolf armstrong

“Some Bears,” Rolf Armstrong (PUCK, March 27, 1915)

 

“The title, Pluto In Furs, is obviously a play on Sacher-Masoch’s Venus In Furs,” writes Dwyer. “But whereas his book postulates that the female and the cruel are his objects of a masochistic worship, Pluto In Furs will explore what it means if darkness and the nonhuman are also worthy of masochistic worship.” That said, the anthology will also include some loosely-themed horror tales compassing the surreal, erotica, weird, as well as “quiet” ghost stories. Some authors have announced, while others are keeping their cards close to their chests; but I’ve had a glimpse at some of the imposing contributors, and readers are in for a sinister treat.

UPDATE:  February 5, 2019:  Official Pluto In Furs table of contents announced at The Plutonian:

“An Abysmal Masochism” (An Introduction) by Scott Dwyer
“The Tangible Universe” by Jeffrey Thomas
“The Wolf at the Door or The Music of Antonio Soler” by Devora Gray
“Other Yseut and Romance Tristan” by Adam Golaski
“Dermatology, Eschatology” by Kurt Fawver
“Headsman’s Trust: A Murder Ballad” by Richard Gavin
“It’s Hard to be Me” by John Claude Smith
“The Gutter at the Bottom of the World” by David Peak
“Tender is the Tether” by Rhys Hughes
“With Shining Gifts That Took All Eyes” by Mike Allen
“Stygian Chambers” by Orrin Grey
“Behemoth” by Clint Smith
“Worm Moon” by Gemma Files
“The Silvering” by Thana Niveau
“Walking in Ash” by Brendan Vidito

Dwyer’s aiming for an August, 2019 publication date.  More in due time…

“This Godless Apprenticeship” Makes TANGENT’s 2018 Recommended Reading List

A number of reviewers have taken notice of several stories from Weirdbook #40, and I’m pleased to remark that my contribution to that volume, “This Godless Apprenticeship,” made it’s way onto Tangent Online 2018 Recommended Reading List; and Dave Truesdale has penned an impressively insightful “foreward” of sorts to the actual list.  “This wildly varied rainbow of experience and perspectives,” writes Truesdale, “makes for an interesting barometer for writers, readers, and even academicians to set against other well known or familiar lists that may have become, over time, accepted as standards of reliability for the best fiction of any given year.”

beware

Also cited on Tangent’s list are six “colleagues” from the Weirdbook #40 issue:  John Linwood Grant (“Sanctuary”); Paul St. John Mackintosh (“The Prague Relic”); Matt Neil Hill (“The Giving of Gifts”); Mike Chinn (“And the Living is Easy”); Jack Lothian (“The Santa Anna”); and Darrell Schweitzer (“True Blue”).

Weirdbook no. 40, J. Florencio

Listen Up: “Don’t Let The Bedbugs Bite” Receives Otic Makeover

post for blog, header

So here’s a first for me:  one of my (early-published) short stories, “Don’t Let the Bedbugs Bite” (originally appearing in the summer, 2011 installment of the British Fantasy Society Journal), has been refashioned in the form of an audible episode at Max Ablitzer‘s engrossing endeavor, Horror Tales.

Horror Tales has produced a series of top-notch episodes from writers Caleb Stephens (“The Wallpaperman”), G.D. Watry (“The Mosaic”), Timothy G. Huguenin (“The Unknown Thing”), and T.E. Grau (“Transmission”).

Each episode is expressly created by Ablitzer, who invests calculating care into the crafting of each story’s transition.  All tales are accompanied by the ambient underscore of music, and textured with the swaying draperies of eerie sound effects.

House for quote.jpg

According to Ablitzer, seven episodes have been planned, with an eighth under consideration.  As of early November, 2018, Horror Tales continued to chart around the world, entering Great Britain’s “top fifty” in iTunes; and the podcast also recently attained the following impressive international iTunes standings:

  • Paraguay:  #1 (Arts)
  • Singapore:  #2 (Literature)
  • Costa Rica:  #4 (Literature)
  • United States:  #30 (Literature)

The Horror Tales Podcast submission guidelines are found here.