In That Familiar Darkness: David Surface’s THE THINGS THAT WALK BEHIND ME

“I remember feeling shocked that there was still so much sunlight outside, that the sky hadn’t turned black already.” There are uncountable undercurrents of illumination within David Surface’s stories, moments where rippling light penetrates disfigured shadows, affording readers a reflective glimmer before the glow dims, obliging itself to darkness.

Lethe Press, 2024

These Things That Walk Behind Me (Lethe Press, 2024), his second, may serve as an ideal entry point for Surface’s evolving body of work. There’s a continued reliability in quality his fans can trust—a trust that has been fostered following praise of his 2020 collection, Terrible Things (Black Shuck Books), not to mention the literary fidelity of his newsletter project, Strange Little Stories. As a tale-teller, his dependability and writerly precision is why we come here to his work—“to be focused. And to be haunted.” (I’ve appropriated the previous line from his story, “The Man Outside,” which, in its climactic scene, contains an unsettling sequence, a depiction that lingers with electric irreality.)

With an introduction by John Langan, the fourteen pieces within These Things That Walk Behind Me are a stylistic and compassionate dissection of loss, duality, severance, and responsibility. And though Surface’s stories certainly compel readers to glance over their own shoulders—a curious inspection at the things that walk behind each of us in that familiar darkness—it’s best to keep one’s eyes on the page. 

Slanting My Shadow Into Nico Bell’s Spotlight

Of late, I’ve been sobered by an exceeding sense of privilege:  an abundance of at-home technology which has allowed me, and my children, to remain productive over the course of this uncanny stretch — safety and security are not lost on me, residing in a neighborhood where my family doesn’t have to watch our backs, whether on a walk, or a two-mile jog.  I’m grateful, and should shut up about it.

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In my nascent slouches of attempting to become a published writer, I recall repeating the platitude that I was just happy to be part of the literary conversation.  I’m devoutly aware (whether due to my granted rhythms and windows of fiction manufacturing, or owing to the quality of my product) that there are coteric circles in which I’ll never be included.  I don’t mind, really — I enjoy the writing game too much, and have had too many brushes with luck thus far, to make a nebulous need a priority.

Yet, one of the principles which has not changed, and which I’ll continue to repeat:  that the complicated craft of both pursuing publication and attempting to carve-out a name for oneself in this field yields conversations with colleagues which would remain non-existent if for not the arduous nature of this process.

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One of the conversations in which I was privileged to recently partake was with horror author Nico Bell, whose debut novel, Food Fright, was released by Unnerving this past March, 2020.  Back in February, I participated in her monthly Spotlight Author Interview.  

We had a brief exchange back in February, and I felt as though I’d made another kindred acquaintance in this creatively crowded field — appreciative for establishing another connection in this complicated network.

Again:  I’m grateful.  I’ll shut up about it.