WEIRD FICTION REVIEW #9 Now Available

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Weird Fiction Review #9 (Centipede Press, 2018), Cover Art by Colin Nitta

With last year’s passing of the illustrating titan Stan Lee, it’s suitable to celebrate his voice and verve (along with the great Jack Kirby) with the cover art of Centipede Press‘s latest installment of Weird Fiction Review, which offers a wry wink to the inaugural, 1961 issue of the Fantastic Four (released fifty-seven years ago this past November).  The odd quad featured on the cover are, of course, notables from the Weird field, with Caitlin Kiernan standing in for Sue Storm, Victor Lavalle repping the Human Torch, Stephen Graham Jones taking on Mister Fantastic, and Laird Barron depicted as (suitably, noting his affinity for the Carpenter film) The Thing.  The list price is $35, but Centipede Press’s site currently has it for $22.

Weird-Fan side by side

Weird Fiction Review #9 (Centipede Press, 2018) / The Fantastic Four, Vol. 1, Issue #1 (1961)

“The Weird Fiction Review,” goes the site’s synopsis, “is an annual periodical devoted to the study of weird and supernatural fiction. It is edited by S.T. Joshi. This ninth issue contains fiction, poetry, and reviews from leading writers and promising newcomers. This issue features fiction by Caitl’n R. Kiernan, Laird Barron, Victor LaValle, Stephen Graham Jones, Scott Bradfield and others, and articles by Stefan Dziemianowicz (an illustrated history of Gnome Press), Adam Groves (on surrealist horror novels), John C. Tibbetts (on Marjorie Bowen), as well as verse and other essays and fiction. The feature of the issue is Chad Hensley’s outstanding article on H.R. Giger-inspired Alien toys.”

Giger

Brown University, Dec., 2018

Adam Golaski and Clint Smith, Brown University, December, 2018

In addition to a lengthy interview with author David Mitchell, Weird Fiction Review #9 also contains an exchange between Adam Golaski and me — an interview, of sorts, conducted by the Brown University English lecturer back in the fall of 2017.  The several weeks of correspondence was really an ideal way to get to know this writer who, perhaps, thrives in his obscurity.  We were able to spend a brief amount of time attempting to catch up back in December, 2018, on the Brown campus (shortly before our reading at the Arcade Asylum Author Series, Krampusnacht edition, at Lovecraft Arts & Sciences Council).

My story, “The Pecking Order” (a tale which begins with a young woman attending a former student’s funeral, but transforms into something appalling) can also be found in Weird Fiction Review #9.

 

WFR9

 

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PLUTO IN FURS Anthology: “Behemoth” Claws Its Way Onto the TOC

I was recently notified that my “rough beast” of a short story, “Behemoth,” has been accepted to Scott Dwyer’s upcoming anthology, Pluto In Furs.  The spectrum of the tale pendulums between 1969 and 1987, as my protag, Dox Ingram, a mechanic, is inadvertently compelled to confront a protean horror inextricably braided to a disturbing encounter during his younger years as a soldier in Vietnam.

some bears, rolf armstrong

“Some Bears,” Rolf Armstrong (PUCK, March 27, 1915)

 

“The title, Pluto In Furs, is obviously a play on Sacher-Masoch’s Venus In Furs,” writes Dwyer. “But whereas his book postulates that the female and the cruel are his objects of a masochistic worship, Pluto In Furs will explore what it means if darkness and the nonhuman are also worthy of masochistic worship.” That said, the anthology will also include some loosely-themed horror tales compassing the surreal, erotica, weird, as well as “quiet” ghost stories. Some authors have announced, while others are keeping their cards close to their chests; but I’ve had a glimpse at some of the imposing contributors, and readers are in for a sinister treat.

UPDATE:  February 5, 2019:  Official Pluto In Furs table of contents announced at The Plutonian:

“An Abysmal Masochism” (An Introduction) by Scott Dwyer
“The Tangible Universe” by Jeffrey Thomas
“The Wolf at the Door or The Music of Antonio Soler” by Devora Gray
“Other Yseut and Romance Tristan” by Adam Golaski
“Dermatology, Eschatology” by Kurt Fawver
“Headsman’s Trust: A Murder Ballad” by Richard Gavin
“It’s Hard to be Me” by John Claude Smith
“The Gutter at the Bottom of the World” by David Peak
“Tender is the Tether” by Rhys Hughes
“With Shining Gifts That Took All Eyes” by Mike Allen
“Stygian Chambers” by Orrin Grey
“Behemoth” by Clint Smith
“Worm Moon” by Gemma Files
“The Silvering” by Thana Niveau
“Walking in Ash” by Brendan Vidito

Dwyer’s aiming for an August, 2019 publication date.  More in due time…

An Eloquent Undulation: C.M. Muller’s NIGHTSCRIPT, Vol. 4

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Now in its fourth permutation, C.M. Muller’s Nightscript anthology continues to house — within its slate-scrubbed clapboard, concealed behind murky panes — a series of stories which, due to their strangeness and peculiarity, may have never otherwise discovered a proper home.
A shrewd student of a number of creative mediums, Muller is neither clumsy nor casual in his execution of these annual projects; and it really is a demonstrative exercise in voice and vision — his conjuring, capturing, and making incarnate (from font, to paper, in artwork, in tonality) a singular aesthetic.

Nightscript, IV expectedly contains a number of top-notch stories penned by (as Muller is wont to do) many “unknown” scribblers — this is one of the fantastic aspects of the series, as Muller places emerging names in close proximity with established writers, as is the case in N.IV with appearances by V.H. Leslie (“Sugar Daddy”) and Steve Rasnic Tem (“By the Sea”). I was personally taken with L.S. Johnson’s “A Harvest Fit For Monsters” (a grim and ambiguous tale of war-torn grief); Farah Rose Smith’s “Of Marble and Mud” (a crisply written narrative focusing on the frightening and fragile bond between two sisters); and Mike Weitz’s “Rainheads” (bearing bleak shades of apocalyptic horror).  Joanna Parypinski’s “The Thing In the Trees” is a personal highlight for me—one of the most haunting and deftly-handled tales I’ve encountered for quite some time.

Nightscript alumnus Charles Wilkison (“The Dandelion Disorder”) makes a welcome appearance, as well as Christi Nogle (“Cinnamon to Taste”) and Daniel Braum (“The Monkey Coat”). Resonating, still, for me are the stories “There Has Never Been Anyone Here” by J.T. Glover; “By The Sea” by the aforementioned Mr. Rasnic Tem; and Kirsty Logan’s “My House Is Out Where the Lights End,” which serves as the publication’s breathtaking, closing punctuation.

Another part of Muller’s magic is his sapient strategy in weaving an ambiguous melody in the sequencing of the tales, yielding a unique resonance and eloquent undulation to each installment.
hidden-folk-cover

Nightscript is, of course, an annual celebration of the pleasant melancholies of autumn; but its contents are suitable for any timeframe in which a reader can carve out some solitudinal space, as the well-crafted tales call for your attention and close-reading consideration. More than this, Nightscript is — in Muller’s mental landscape — a vital venue for voices often lost beneath the wind-swept blanket of brittle, burnt-orange leaves — an otherwise unnoticed sibilance existing in the shadowed, foreboding fringes of a rickety-limbed forest.

Recently, Muller announced the forthcoming release of his first collection of tales, Hidden Folk. And if you’d like to get to know a bit more about this writer, editor, and self-described scrivener, check out an interview with Muller conducted by Scott Dwyer over the The Plutonian.

The Multiform Tongues of Krampusnacht

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I’m honored to announce that I’ll be participating in the Arcade Asylum Author Series, Krampusnacht, 2018 edition, hosted by the Lovecraft Arts & Sciences Council and NecronomiCon Providence. “In celebration of the longer, darker, colder nights,” writes the organizer, “we’re thrilled to welcome several exciting voices in weird and dark fiction.” Indeed, I have some formidable associates, as my fellow readers include Adam Golaski, Julie C. Day, Sheri Sebastian-Gabriel, Barry Lee Dejasu, and Larissa Glasser.

So, if you happen to be in the Providence, R.I. vicinity on Saturday December 1, I’d be keyed to meet you (particularly if we’ve been acquainted in the virtual realms but have never had a face-to-face encounter).

This free event runs from 6:30 to 8:30 p.m. at the Lovecraft Arts & Sciences Council. It’s open to the public, but seating is limited.