WEIRD FICTION REVIEW #9 Now Available

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Weird Fiction Review #9 (Centipede Press, 2018), Cover Art by Colin Nitta

With last year’s passing of the illustrating titan Stan Lee, it’s suitable to celebrate his voice and verve (along with the great Jack Kirby) with the cover art of Centipede Press‘s latest installment of Weird Fiction Review, which offers a wry wink to the inaugural, 1961 issue of the Fantastic Four (released fifty-seven years ago this past November).  The odd quad featured on the cover are, of course, notables from the Weird field, with Caitlin Kiernan standing in for Sue Storm, Victor Lavalle repping the Human Torch, Stephen Graham Jones taking on Mister Fantastic, and Laird Barron depicted as (suitably, noting his affinity for the Carpenter film) The Thing.  The list price is $35, but Centipede Press’s site currently has it for $22.

Weird-Fan side by side

Weird Fiction Review #9 (Centipede Press, 2018) / The Fantastic Four, Vol. 1, Issue #1 (1961)

“The Weird Fiction Review,” goes the site’s synopsis, “is an annual periodical devoted to the study of weird and supernatural fiction. It is edited by S.T. Joshi. This ninth issue contains fiction, poetry, and reviews from leading writers and promising newcomers. This issue features fiction by Caitl’n R. Kiernan, Laird Barron, Victor LaValle, Stephen Graham Jones, Scott Bradfield and others, and articles by Stefan Dziemianowicz (an illustrated history of Gnome Press), Adam Groves (on surrealist horror novels), John C. Tibbetts (on Marjorie Bowen), as well as verse and other essays and fiction. The feature of the issue is Chad Hensley’s outstanding article on H.R. Giger-inspired Alien toys.”

Giger

Brown University, Dec., 2018

Adam Golaski and Clint Smith, Brown University, December, 2018

In addition to a lengthy interview with author David Mitchell, Weird Fiction Review #9 also contains an exchange between Adam Golaski and me — an interview, of sorts, conducted by the Brown University English lecturer back in the fall of 2017.  The several weeks of correspondence was really an ideal way to get to know this writer who, perhaps, thrives in his obscurity.  We were able to spend a brief amount of time attempting to catch up back in December, 2018, on the Brown campus (shortly before our reading at the Arcade Asylum Author Series, Krampusnacht edition, at Lovecraft Arts & Sciences Council).

My story, “The Pecking Order” (a tale which begins with a young woman attending a former student’s funeral, but transforms into something appalling) can also be found in Weird Fiction Review #9.

 

WFR9

 

Heads Up. Sun’s Down. NIGHTSCRIPT, Vol. I, Table of Contents Announced

Nightscript

In his introduction to Daniel Mills’ haunting debut collection, The Lord Came at Twilight, Simon Stranzas noted, “In some way, the last great revolution in horror was its rediscovery of its past.”

Make no mistake, just because certain camps of weird- and horror-related writers keep those strange homefires burning doesn’t mean the medium grows stale.  In fact, think of this past-present relationship as a Mobius strip, ribbons of prescient visions braided with thematic cords from our predecessors.  Echoes, if harnessed properly, have the capability of providing new momentum—new dimension.

As the editorial helmer of the annually-planned Nightscript, C.M. Muller is guiding us into steady—though nightshaded—waters.  And owing to his well-read awareness, we should accompany with confidence.

There are no tricks here, folks.  Muller is a mensch who knows his stuff.  If he hasn’t read it, he’s heard of it.  If he doesn’t own an obscure copy of a critical text, it’s probably because he’s kindly sent it along (gratis) to an acquaintance with kindred tastes.

Sure, I’m beyond honored to hold court with my fellow Nightscripters; but I’m also eager to see where—over the next few burnt-orange, smoke-scented Octobers—Muller has in mind to take us.  You’d do well to follow…

Nightscript, Vol. I—TOC:

“Everything That’s Underneath” — Kristi DeMeester
“Strays” — Gregory L. Norris
“In His Grandmother’s Coat” — Charles Wilkinson
“The Cuckoo Girls” — Patricia Lillie
“The Sound That the World Makes” — David Surface
“Below the Falls” — Daniel Mills
“The Keep” — Kirsty Logan
“She Rose From the Water” — Kyle Yadlosky
“Animalhouse” — Clint Smith
“Tooth, Tongue, and Claw” — Damien Angelica Walters
“Momma” — Eric J. Guignard
“The Trees Are Tall Here” — Marc E. Fitch
“A Quiet Axe” — Michael Kelly
“The Death of Yatagarasu” — Bethany W. Pope
“The Cooing” — John Claude Smith
“A Knife in My Drawer” — Zdravka Evtimova
“On Balance” — Jason A. Wyckoff
“Learning Not to Smile” — Ralph Robert Moore
“Fisher and Lure” — Christopher Burke
“The Death of Socrates” — Michael Wehunt