Bottoms Up: New Short Story, “Onward and Downward,” Appearing in Cosmic Horror Monthly

In a year yielding a cascade of creative disappointments, inclusion in Cosmic Horror Monthly No. 58 has provided a guyline of encouragement. (Thanks to the creative team at CHM: Charles Tyra, Jolie Toomajan, and Carson Winter.)

Featuring arresting cover art by Teo Lehog, check out the April, 2025 issue of Cosmic Horror Monthly, containing my story, “Onward and Downward.” Fellow contributors include EC Dorgan, Marisca Pichette, and Max Zoska.

Cover art by Teo Lehog

In That Familiar Darkness: David Surface’s THE THINGS THAT WALK BEHIND ME

“I remember feeling shocked that there was still so much sunlight outside, that the sky hadn’t turned black already.” There are uncountable undercurrents of illumination within David Surface’s stories, moments where rippling light penetrates disfigured shadows, affording readers a reflective glimmer before the glow dims, obliging itself to darkness.

Lethe Press, 2024

These Things That Walk Behind Me (Lethe Press, 2024), his second, may serve as an ideal entry point for Surface’s evolving body of work. There’s a continued reliability in quality his fans can trust—a trust that has been fostered following praise of his 2020 collection, Terrible Things (Black Shuck Books), not to mention the literary fidelity of his newsletter project, Strange Little Stories. As a tale-teller, his dependability and writerly precision is why we come here to his work—“to be focused. And to be haunted.” (I’ve appropriated the previous line from his story, “The Man Outside,” which, in its climactic scene, contains an unsettling sequence, a depiction that lingers with electric irreality.)

With an introduction by John Langan, the fourteen pieces within These Things That Walk Behind Me are a stylistic and compassionate dissection of loss, duality, severance, and responsibility. And though Surface’s stories certainly compel readers to glance over their own shoulders—a curious inspection at the things that walk behind each of us in that familiar darkness—it’s best to keep one’s eyes on the page.