Now Available: WHEN IT’S TIME FOR DEAD THINGS TO DIE

Book-release day has arrived:  available now in both paperback and Kindle / e-reader formats:  When It’s Time For Dead Things To Die (Unnerving, 2019).

DeadThings

logo.jpgThis novella-length story is, in part, a product of both my time in Chicago as well as a formative stint in the adjacent “Region”; and my encounters with that erratic cast of characters (some more “human” than others) informs much of the narrative action.  I’d like to extend a warm note of gratitude to Unnerving’s Eddie Generous, whose provided the opportunity and support to expand this story with the potential of reaching fresh eyes.

Here’s the back-cover synopsis for When It’s Time For Dead Things To Die:

Things are in decline…for Joseph Lowe, a rootless young man who falls for the wrong girl; for Gregory Bath, an aristocratic magnate who spares Lowe an almost certain death for his “transgression,” imposing upon him a kind of parasitic servitude.  Now working as a line cook at Bath’s legendary Tudor Quoin, as well as catering to the growing needs of a man far older than he seems, Lowe desperately seeks release from a trap which has ensnared him for the past nine months.  But who could possibly escape a family as powerful, as influential, or as far-reaching as the Baths?  In the end, choices must be made, sides must be drawn, and for Lowe this means discovering an unlikely salvation between himself and his captor, as well as learning the true meaning of “family.”

From the mind of Clint Smith, author of Ghouljaw and Other Stories, comes a haunting, poetic novella, equal parts Dracula and Eastern Promises, set in modern-day Indiana but stretching its talons far back into history.

Berserker

Ambrosius Huber (1499), published pamphlet reading:  Here begins a very cruel frightening story about a wild bloodthirsty man

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Clint Smith is the author of the collection, Ghouljaw and Other Stories (Hippocampus Press, 2014).  Of late, his tales have appeared in Weird Fiction Review #9 (Centipede Press) and Twice-Told: An Anthology of Doubles (Chthonic Press).  His sophomore collection, The Skeleton Melodies, is slated for 2019 release with Hippocampus Press.  Clint lives in the Midwest, along with his wife and two children, on the fringes of Deacon’s Creek.

 

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Listen Up: “Don’t Let The Bedbugs Bite” Receives Otic Makeover

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So here’s a first for me:  one of my (early-published) short stories, “Don’t Let the Bedbugs Bite” (originally appearing in the summer, 2011 installment of the British Fantasy Society Journal), has been refashioned in the form of an audible episode at Max Ablitzer‘s engrossing endeavor, Horror Tales.

Horror Tales has produced a series of top-notch episodes from writers Caleb Stephens (“The Wallpaperman”), G.D. Watry (“The Mosaic”), Timothy G. Huguenin (“The Unknown Thing”), and T.E. Grau (“Transmission”).

Each episode is expressly created by Ablitzer, who invests calculating care into the crafting of each story’s transition.  All tales are accompanied by the ambient underscore of music, and textured with the swaying draperies of eerie sound effects.

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According to Ablitzer, seven episodes have been planned, with an eighth under consideration.  As of early November, 2018, Horror Tales continued to chart around the world, entering Great Britain’s “top fifty” in iTunes; and the podcast also recently attained the following impressive international iTunes standings:

  • Paraguay:  #1 (Arts)
  • Singapore:  #2 (Literature)
  • Costa Rica:  #4 (Literature)
  • United States:  #30 (Literature)

The Horror Tales Podcast submission guidelines are found here.

Darker Plans Indeed…

The ever-vigilant Scott Dwyer—writer, editor, and administrator of The Plutonian site and its attendant newsletter—has published a generous essay titled “Clint Smith:  Poet of the Weird Underbelly of America.”  Link:  here.

(1) Ghouljaw and Other Stories - FINAL Cover

Ghouljaw and Other Stories (Hippocampus Press, 2014)

Skel Mel, paint, ready for edits (for upload)

The Skeleton Melodies (Hippocampus Press, 2019)

 

Dwyer’s awareness of the horror genre (as well as related genres) is evident in his commentaries and insightful criticisms.  That said, I’m humbled that he would find some merit in my work.  Pursuing character relatability in my stories is of paramount importance—something that produces an echo not only in my audience, but in any errant reader.

With as much fiction currently being produced in the Weird / Horror / Dark Fantasy fields, adroit voices like Dwyer’s are critical for both tempering the dimensions of our creative zeitgeist, and clarifying the fundamental features of these aforementioned mediums.  It’s quite clear that Dwyer does his homework—so if you’re unfamiliar with him, you have some homework too.  An ideal primer is his website, The Plutonian; afterwards, check out his seminal publishing project, Phantasm/Chimera:  An Anthology of Strange and Troubling Dreams.

phant,chimAnd keep your eyes peeled on his follow-up project, Pluto in Furs:  An Anthology of Erotic and Strange Horror (he’s accepting submissions through December 31, 2018—details here:   The Plutonian, Facebook).

“This Godless Apprenticeship”: Weirdbook Magazine, #40

Just noticed that editor, Douglas Draa, has announced the release of Weirdbook #40, which includes my story, “This Godless Apprenticeship.”

Weirdbook no. 40, J. Florencio

Weirdbook #40, Cover Art by J. Florêncio

Though obviously dictated by a narrative’s shape of and the dynamic demands of the characters therein, my accustomed, rhythmic (first-draft) product clocks in around eight- to ten-thousand words; and while I can certainly contort the constraints of these pieces, I often have trouble finding suitable word-count venues.

I was sketching several stories at the time (each having subsequently gained both their intended dimension and fulfillment in publication), but—due to the period-period backdrop of the seventeenth century—took a digressive detour with this one. “This Godless Apprenticeship” is a pirate story (a first for me), and while it’s a shorter tale than I’m used to (just short of 5K words), it was a self-imposed challenge to infuse as much historic research as I could into its saltwater-eaten frame.

Captain Kidd, Pyle

Captain Kidd, by Howard Pyle

The story begins with my quartermaster, Thomas Ware, conducting nightwork for his trade-calloused superior, Captain John Lacewage, aboard the aptly named brigantine, The Gaggler Coach. It was a fun one to write, and like most tales of this variety, I learned quite a bit (more, certainly, than the brief yarn reflects).

The “set list” for Weirdbook #40 follows:

Features:

From the Editor’s Tower, by Doug Draa

Stories:

“Iconoclasm,” by Adrian Cole

“Have a Crappy Halloween,” by Franklyn Searight

“Early Snow,” by Samson Stormcrow Hayes

“The Dollhouse,” by Glynn Owen Barrass

“Elle a Vu un Loup,” by Loren Rhoads

“Bringing the Bodies Home,” by Christian Riley

“Restored,” by Marlane Quade Cook

“Nameless and Named,” by David M. Hoenig

“Playing A Starring Role,” by Paul Lubaczewski

“And the Living is Easy,” by Mike Chinn

“The Prague Relic,” by Paul StJohn Mackintosh

“The Circle,” by Matt Sullivan

“Sanctuary,” by John Linwood Grant

“The Giving of Gifts,” by Matt Neil Hill

“The Santa Anna,” by Jack Lothian

“The Dread Fishermen,” by Kevin Henry

“Blind Vision,” by Andrew Darlington

“The Thirteenth Step,” by William Tea

“This Godless Apprenticeship,” by Clint Smith

“Waiting,” by John W. Dennehy

“Pouring Whiskey In My Soul,” by Paul R. McNamee

“True Blue,” by Darrell Schweitzer

“The Treadmill,” by Rohit Sawant

“The Veiled Isle,” by W. D. Clifton

Poetry:

“Gila King,” by Jessica Amanda Salmonson

“Necro-Meretrix,” by Frederick J. Mayer

“Grinning Moon,” by Frederick J. Mayer

“The Burning Man,” by Russ Parkhurst

“Silent Hours,” by Russ Parkhurst

“The Old White Crone,” by Maxwell Gold

Douglas Draa and his partners at Wildside Press create a top-notch product (back in September, 2018, Draa’s What October Brings: A Lovecraftian Celebration of Halloween, which he edited, secured a standing at #15 among Amazon’s best sellers in the Horror Anthology category), and you can be confident the stories contained in this volume have been handled with equally trenchant attention.

Snag a copy here: Weirdbook Magazine, Issue #40.

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“Walking the Plank,” Howard Pyle

A Process, Well-Nigh Ossified

Skel Mel, paint, ready for edits (for upload).pngI’ve had several pleasant exchanges with representatives from Hippocampus Press over the past month or so, culminating in (among other processes) the completion of the galley proofs for my second collection, The Skeleton Melodies (due out mid 2019).  This volume includes twelve short stories and one, previously unpublished novella.  The table of contents follows:

  • “Lisa’s Pieces”
  • “The Undertow, and They That Dwell Therein”
  • “Animalhouse”
  • “Fingers Laced, as Though in Prayer”
  • “By Goats Be Guided”
  • “The Pecking Order”
  • “Her Laugh”
  • “Knot the Noose”
  • “The Rive”
  • “The Fall of Tomlinson Hall; or, The Ballad of the Butcher’s Cart”
  • “Fiending Apophenia”
  • “Details That Would Otherwise Be Lost to Shadow”
  • Haunt Me Still