Dejan Ognjanović, in Rue Morgue, Issue #188, provides a tidy synopsis of several stories in C.M. Muller’s doppelgänger-based anthology, Twice-Told: A Collection of Doubles (Chthonic Matter, 2019). My contribution, “Details That Would Otherwise Be Lost to Shadow,” receives a generous mention, along with several astute scribblers including Gordon B. White, Tim Jeffreys, Shannon Lawrence, Jason Wyckoff, and Jack Lothian.
This story (running a touch over 8,000 words) was a challenge to compose, in great part due to its structure, but more so in my attempt to bring some nuance to the tropes of duality. The key was employing the presence of what I’ve termed as the Motley House, a sort aesthetic tessellation, the construction of which, perhaps, warps the perspective of my central character, Tara Keltz. On the other hand, the house’s personality may be the only thing providing clarity, even if it elicits a realization which is not only difficult to perceive, but also to accept.
Artist Vernon Short’s depiction for Horace Liveright’s Broadway production of Dracula, 1927.
I recently had an opportunity to speak with author Gordon B. White over at Hellnotes; the basis of out discussion being my recently released novella, When It’s Time For Dead Things To Die. A veteran writer, reviewer, and literary raconteur, Mr. White is pursuing new format on the Hellnotes site, with this particular interview-review structure being a first in an intended series for the “quick reads” of novellas and chapbooks.
Gordon B. White is a 2017 graduate of the Clarion West Writing Workshop, and his fiction’s appeared in venues such as Daily Science Fiction, Tales to Terrify, and the Bram Stoker Award winning anthology Borderlands 6. Recently, you can find his chilling and poignant story, “Birds of Passage,” in C.M. Muller’s anthology, Twice-Told: A Collection of Doubles. Get to know the man a bit better: www.gordonbwhite.com
In the meantime, check out the Hellnotes interview, then pick up a copy of When It’s Time For Dead Things To Die.
With the recent release of C.M. Muller‘s Twice-Told: A Collection of Doubles the estimable Des Lewis is conducting another venerable “real time” review dedicated to the anthology. Here’s a portion of what he has to say about my contribution, “Details That Would Otherwise Be Lost to Shadow”:
[B]oundaries here in a residential area explicitly akin to sovereignty of identity and today’s nationalism. Whatever I go on to say, this remains a totally compelling first-person narration by a woman, self-seeking as well as self-conscious, ruthless in her ambition and optimisation of her nuclear family, husband and daughter. […] Finds herself in the house opposite where she had not yet met whomsoever lived there – a house described by her in a wondrously hypnotic mannered way, a sort of House of Leaves blended with something completely unique, with fleeting shadows and angles […] She foolhardily leaves her signature as it were, some written boundary of statically unique self-identity, on ‘stationary’ as stationery inside this house, a house aptly named Motley House […] another Clint Smith work to cherish. If I tell you more, I would spoil it.
Snag a copy (Kindle, paperback) here: