PLUTO IN FURS Anthology: “Behemoth” Claws Its Way Onto the TOC

I was recently notified that my “rough beast” of a short story, “Behemoth,” has been accepted to Scott Dwyer’s upcoming anthology, Pluto In Furs.  The spectrum of the tale pendulums between 1969 and 1987, as my protag, Dox Ingram, a mechanic, is inadvertently compelled to confront a protean horror inextricably braided to a disturbing encounter during his younger years as a soldier in Vietnam.

some bears, rolf armstrong

“Some Bears,” Rolf Armstrong (PUCK, March 27, 1915)

 

“The title, Pluto In Furs, is obviously a play on Sacher-Masoch’s Venus In Furs,” writes Dwyer. “But whereas his book postulates that the female and the cruel are his objects of a masochistic worship, Pluto In Furs will explore what it means if darkness and the nonhuman are also worthy of masochistic worship.” That said, the anthology will also include some loosely-themed horror tales compassing the surreal, erotica, weird, as well as “quiet” ghost stories. Some authors have announced, while others are keeping their cards close to their chests; but I’ve had a glimpse at some of the imposing contributors, and readers are in for a sinister treat.

UPDATE:  February 5, 2019:  Official Pluto In Furs table of contents announced at The Plutonian:

“An Abysmal Masochism” (An Introduction) by Scott Dwyer
“The Tangible Universe” by Jeffrey Thomas
“The Wolf at the Door or The Music of Antonio Soler” by Devora Gray
“Other Yseut and Romance Tristan” by Adam Golaski
“Dermatology, Eschatology” by Kurt Fawver
“Headsman’s Trust: A Murder Ballad” by Richard Gavin
“It’s Hard to be Me” by John Claude Smith
“The Gutter at the Bottom of the World” by David Peak
“Tender is the Tether” by Rhys Hughes
“With Shining Gifts That Took All Eyes” by Mike Allen
“Stygian Chambers” by Orrin Grey
“Behemoth” by Clint Smith
“Worm Moon” by Gemma Files
“The Silvering” by Thana Niveau
“Walking in Ash” by Brendan Vidito

Dwyer’s aiming for an August, 2019 publication date.  More in due time…

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Listen Up: “Don’t Let The Bedbugs Bite” Receives Otic Makeover

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So here’s a first for me:  one of my (early-published) short stories, “Don’t Let the Bedbugs Bite” (originally appearing in the summer, 2011 installment of the British Fantasy Society Journal), has been refashioned in the form of an audible episode at Max Ablitzer‘s engrossing endeavor, Horror Tales.

Horror Tales has produced a series of top-notch episodes from writers Caleb Stephens (“The Wallpaperman”), G.D. Watry (“The Mosaic”), Timothy G. Huguenin (“The Unknown Thing”), and T.E. Grau (“Transmission”).

Each episode is expressly created by Ablitzer, who invests calculating care into the crafting of each story’s transition.  All tales are accompanied by the ambient underscore of music, and textured with the swaying draperies of eerie sound effects.

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According to Ablitzer, seven episodes have been planned, with an eighth under consideration.  As of early November, 2018, Horror Tales continued to chart around the world, entering Great Britain’s “top fifty” in iTunes; and the podcast also recently attained the following impressive international iTunes standings:

  • Paraguay:  #1 (Arts)
  • Singapore:  #2 (Literature)
  • Costa Rica:  #4 (Literature)
  • United States:  #30 (Literature)

The Horror Tales Podcast submission guidelines are found here.

“This Godless Apprenticeship”: Weirdbook Magazine, #40

Just noticed that editor, Douglas Draa, has announced the release of Weirdbook #40, which includes my story, “This Godless Apprenticeship.”

Weirdbook no. 40, J. Florencio

Weirdbook #40, Cover Art by J. Florêncio

Though obviously dictated by a narrative’s shape of and the dynamic demands of the characters therein, my accustomed, rhythmic (first-draft) product clocks in around eight- to ten-thousand words; and while I can certainly contort the constraints of these pieces, I often have trouble finding suitable word-count venues.

I was sketching several stories at the time (each having subsequently gained both their intended dimension and fulfillment in publication), but—due to the period-period backdrop of the seventeenth century—took a digressive detour with this one. “This Godless Apprenticeship” is a pirate story (a first for me), and while it’s a shorter tale than I’m used to (just short of 5K words), it was a self-imposed challenge to infuse as much historic research as I could into its saltwater-eaten frame.

Captain Kidd, Pyle

Captain Kidd, by Howard Pyle

The story begins with my quartermaster, Thomas Ware, conducting nightwork for his trade-calloused superior, Captain John Lacewage, aboard the aptly named brigantine, The Gaggler Coach. It was a fun one to write, and like most tales of this variety, I learned quite a bit (more, certainly, than the brief yarn reflects).

The “set list” for Weirdbook #40 follows:

Features:

From the Editor’s Tower, by Doug Draa

Stories:

“Iconoclasm,” by Adrian Cole

“Have a Crappy Halloween,” by Franklyn Searight

“Early Snow,” by Samson Stormcrow Hayes

“The Dollhouse,” by Glynn Owen Barrass

“Elle a Vu un Loup,” by Loren Rhoads

“Bringing the Bodies Home,” by Christian Riley

“Restored,” by Marlane Quade Cook

“Nameless and Named,” by David M. Hoenig

“Playing A Starring Role,” by Paul Lubaczewski

“And the Living is Easy,” by Mike Chinn

“The Prague Relic,” by Paul StJohn Mackintosh

“The Circle,” by Matt Sullivan

“Sanctuary,” by John Linwood Grant

“The Giving of Gifts,” by Matt Neil Hill

“The Santa Anna,” by Jack Lothian

“The Dread Fishermen,” by Kevin Henry

“Blind Vision,” by Andrew Darlington

“The Thirteenth Step,” by William Tea

“This Godless Apprenticeship,” by Clint Smith

“Waiting,” by John W. Dennehy

“Pouring Whiskey In My Soul,” by Paul R. McNamee

“True Blue,” by Darrell Schweitzer

“The Treadmill,” by Rohit Sawant

“The Veiled Isle,” by W. D. Clifton

Poetry:

“Gila King,” by Jessica Amanda Salmonson

“Necro-Meretrix,” by Frederick J. Mayer

“Grinning Moon,” by Frederick J. Mayer

“The Burning Man,” by Russ Parkhurst

“Silent Hours,” by Russ Parkhurst

“The Old White Crone,” by Maxwell Gold

Douglas Draa and his partners at Wildside Press create a top-notch product (back in September, 2018, Draa’s What October Brings: A Lovecraftian Celebration of Halloween, which he edited, secured a standing at #15 among Amazon’s best sellers in the Horror Anthology category), and you can be confident the stories contained in this volume have been handled with equally trenchant attention.

Snag a copy here: Weirdbook Magazine, Issue #40.

pyle, plank

“Walking the Plank,” Howard Pyle

WELCOME TO NEW BETHEL…

UPDATE: Ghouljaw and Other Stories:  Book Trailer

Hey, comrades—a couple of pieces of communique:

 

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One: The book trailer for Ghouljaw and Other Stories is now available for viewing on YouTube. Follow this:  Ghouljaw book trailer

Take note of the music which was composed by Kell (of Shadeland fame), who’s created a soundtrack of fourteen songs as a supplement to each story. The soundtrack will be available on iTunes, Spotify, cdbaby, and other locations in the upcoming weeks.

And two: some preliminary artwork has appeared on the Ghouljaw purchase page at the Hippocampus Press website. I’m fortunate to say that the cover artist is the impressive Jared Boggess. You should drop by his site to see what this guy is all about:  www.jaredboggess.com.

That’s all for now. Stay tuned.

Black celebration: Halloween, 2011

Southside Times, October 27, 2011

Seasons grievings, dear reader.  No—it’s not a work of fiction, but my specter-centric story in this week’s edition of the Southside Times contains a spooky bit of speculation.  “Lady in black dress weaves a woeful tale” is the front page feature for October 27, 2011.  If you’re interested in picking up a hardcopy, the story will be available on local newsstands through next Wednesday (November 3, 2011).  Or check out the story by clicking on the picture at the right of this page.  Also, if you’d like to read more about the Franklin Township Historical Society, follow this link to their website: FTHS.

As always, thanks for reading, and have a pleasantly creepy Halloween.