The Multiform Tongues of Krampusnacht

krampusnacht

I’m honored to announce that I’ll be participating in the Arcade Asylum Author Series, Krampusnacht, 2018 edition, hosted by the Lovecraft Arts & Sciences Council and NecronomiCon Providence. “In celebration of the longer, darker, colder nights,” writes the organizer, “we’re thrilled to welcome several exciting voices in weird and dark fiction.” Indeed, I have some formidable associates, as my fellow readers include Adam Golaski, Julie C. Day, Sheri Sebastian-Gabriel, Barry Lee Dejasu, and Larissa Glasser.

So, if you happen to be in the Providence, R.I. vicinity on Saturday December 1, I’d be keyed to meet you (particularly if we’ve been acquainted in the virtual realms but have never had a face-to-face encounter).

This free event runs from 6:30 to 8:30 p.m. at the Lovecraft Arts & Sciences Council. It’s open to the public, but seating is limited.

Heads Up. Sun’s Down. NIGHTSCRIPT, Vol. I, Table of Contents Announced

Nightscript

In his introduction to Daniel Mills’ haunting debut collection, The Lord Came at Twilight, Simon Stranzas noted, “In some way, the last great revolution in horror was its rediscovery of its past.”

Make no mistake, just because certain camps of weird- and horror-related writers keep those strange homefires burning doesn’t mean the medium grows stale.  In fact, think of this past-present relationship as a Mobius strip, ribbons of prescient visions braided with thematic cords from our predecessors.  Echoes, if harnessed properly, have the capability of providing new momentum—new dimension.

As the editorial helmer of the annually-planned Nightscript, C.M. Muller is guiding us into steady—though nightshaded—waters.  And owing to his well-read awareness, we should accompany with confidence.

There are no tricks here, folks.  Muller is a mensch who knows his stuff.  If he hasn’t read it, he’s heard of it.  If he doesn’t own an obscure copy of a critical text, it’s probably because he’s kindly sent it along (gratis) to an acquaintance with kindred tastes.

Sure, I’m beyond honored to hold court with my fellow Nightscripters; but I’m also eager to see where—over the next few burnt-orange, smoke-scented Octobers—Muller has in mind to take us.  You’d do well to follow…

Nightscript, Vol. I—TOC:

“Everything That’s Underneath” — Kristi DeMeester
“Strays” — Gregory L. Norris
“In His Grandmother’s Coat” — Charles Wilkinson
“The Cuckoo Girls” — Patricia Lillie
“The Sound That the World Makes” — David Surface
“Below the Falls” — Daniel Mills
“The Keep” — Kirsty Logan
“She Rose From the Water” — Kyle Yadlosky
“Animalhouse” — Clint Smith
“Tooth, Tongue, and Claw” — Damien Angelica Walters
“Momma” — Eric J. Guignard
“The Trees Are Tall Here” — Marc E. Fitch
“A Quiet Axe” — Michael Kelly
“The Death of Yatagarasu” — Bethany W. Pope
“The Cooing” — John Claude Smith
“A Knife in My Drawer” — Zdravka Evtimova
“On Balance” — Jason A. Wyckoff
“Learning Not to Smile” — Ralph Robert Moore
“Fisher and Lure” — Christopher Burke
“The Death of Socrates” — Michael Wehunt