Now Available: WHEN IT’S TIME FOR DEAD THINGS TO DIE

Book-release day has arrived: available now in both paperback and Kindle / e-reader formats: When It’s Time For Dead Things To Die (Unnerving, 2019).

DeadThings

logo.jpg

This novella-length story is, in part, a product of both my time in Chicago as well as a formative stint in the adjacent “Region”; and my encounters with that erratic cast of characters (some more “human” than others) informs much of the narrative action. I’d like to extend a warm note of gratitude to Unnerving’s Eddie Generous, who’s provided the opportunity and support to expand this story with the potential of reaching fresh eyes.

Here’s the back-cover synopsis for When It’s Time For Dead Things To Die:

Things are in decline…for Joseph Lowe, a rootless young man who falls for the wrong girl; for Gregory Bath, an aristocratic magnate who spares Lowe an almost certain death for his “transgression,” imposing upon him a kind of parasitic servitude. Now working as a line cook at Bath’s legendary Tudor Quoin, as well as catering to the growing needs of a man far older than he seems, Lowe desperately seeks release from a trap which has ensnared him for the past nine months. But who could possibly escape a family as powerful, as influential, or as far-reaching as the Baths? In the end, choices must be made, sides must be drawn, and for Lowe this means discovering an unlikely salvation between himself and his captor, as well as learning the true meaning of “family.”

From the mind of Clint Smith, author of Ghouljaw and Other Stories, comes a haunting, poetic novella, equal parts Dracula and Eastern Promises, set in modern-day Indiana but stretching its talons far back into history.

Berserker

Ambrosius Huber (1499), published pamphlet reading: Here begins a very cruel frightening story about a wild bloodthirsty man

####

Clint Smith is the author of the collection, Ghouljaw and Other Stories (Hippocampus Press, 2014). Of late, his tales have appeared in Weird Fiction Review #9 (Centipede Press) and Twice-Told: An Anthology of Doubles (Chthonic Press). His sophomore collection, The Skeleton Melodies, is slated for 2019 release with Hippocampus Press. Clint lives in the Midwest, along with his wife and two children, on the fringes of Deacon’s Creek.

TWICE-TOLD: A Collection of Doubles

 

tt, toc

With the recent release of C.M. Muller‘s Twice-Told:  A Collection of Doubles the estimable Des Lewis is conducting another venerable “real time” review dedicated to the anthology.  Here’s a portion of what he has to say about my contribution, “Details That Would Otherwise Be Lost to Shadow”:

[B]oundaries here in a residential area explicitly akin to sovereignty of identity and today’s nationalism. Whatever I go on to say, this remains a totally compelling first-person narration by a woman, self-seeking as well as self-conscious, ruthless in her ambition and optimisation of her nuclear family, husband and daughter. […] Finds herself in the house opposite where she had not yet met whomsoever lived there – a house described by her in a wondrously hypnotic mannered way, a sort of House of Leaves blended with something completely unique, with fleeting shadows and angles […] She foolhardily leaves her signature as it were, some written boundary of statically unique self-identity, on ‘stationary’ as stationery inside this house, a house aptly named Motley House […] another Clint Smith work to cherish. If I tell you more, I would spoil it.

Snag a copy (Kindle, paperback) here:

twice-told-3d-cover