A new review of The Skeleton Melodies is up at the always impressive Sublime Horror. “The Skeleton Melodies by Clint Smith review – a study in the uncanny and an experiment in half-forgotten memories” by Brontë Crawford. “This is a book that’s at once comfortably strange and unnervingly familiar, a study in the uncanny and an experiment in half-forgotten memories where even nostalgia can be a catalyst for fear.”
The Skeleton Melodies by Clint Smith review – a study in the uncanny and an experiment in half-forgotten memories
Heading into an extended weekend, received an encouraging endorsement from the inimitable Mike Davis with the Lovecraft eZine. Mike has a keen calibration on the contemporary pulse of fiction, which makes his shoutout even more gratifying:
“Only a few stories in,” wrote Mike, “but so far The Skeleton Melodies…is fantastic.” He goes on to mention some of my own literary heroes (Klein, Langan, Barron) who supplied some (inconceivably) generous sentiments.
In truth, the pride I possess for this collection is eclipsed by my gratitude and obligation to those who contributed a sentiment to the stories in this book:
Adam Golaski (who penned the Introduction, “The Profane Articulation of Truth”), author of Worse Than Myself